I began my full-time career as a cut paper artist five years ago (the clock started with my first solo exhibition as a represented gallery artist, although I started making cut paper in summer of 2005). Looking back at the works that I have created, there are several pieces that I consider to be door openers.
“Hanging Gown” is the first piece I used the chain link fence motif. Later, I expanded the idea to create series of works including the “Little Crimes,” “Falling Water,” “Memory Windows,” and “The Butterfly Gown.”
“Atomic Jellyfish” is the first large cut paper with an elevated level of intricacy that I created in late 2007. Although taking as long as four months to complete, it allowed me to push the technical and conceptual limits of cut paper. “Atomic Jellyfish” inspired works that came soon after that dealt with both man-made and natural powers.
“Beach Ball Blast” is significant as it was the first piece that I focused on environmental issues.
“Falling Water I–V” is the first series that I created as an installation. Coming from a painting background, I was curious to create a painterly effect using cut paper.
“Sewing Highways” brought back the narrative-based expressions in my work. I created it after coming back from Beijing in 2010 after visiting the capital of China twenty years prior. The changes in Beijing’s landscape and people’s lives were staggering and overwhelming. It inspired me to create works on the effects of industrialization and urbanization.
“Lifting Clouds” is a recent work that explores how we use super machines and high technologies to claim ownership and alter/shape nature to our liking. I developed the concept to create many works in similar vein, such as “Trimming Feathers,” “Painting Corals,” and “Welding Branches.”
“Vase I” modernizes traditional Chinese vases that always depict nature in purity and untouched by humanity. The fact is, there is literally no place on earth that human beings have not interrupted in some way.